Posts tagged: writing
Maureen Ryan writes about Tyrant and the lazy use rape as a trope. “I’m just so tired of violence against women being used as storytelling No-Doz–something to juice up the proceedings and then discard at will.”
The Gutter’s own Carol shares a bit of her hardboiled Godzilla detective fiction at Monstrous Industry. Here’s a segment from “Three Kings” and two from “A Mark In Blue.”: ‘“Hell,’ I muttered, glancing down. My side was a mess of rearranged gears and blue coolant weeped from a broad gash. There was another smear of coolant on my chest, in the shape of the letter, ‘M,’ right over my heart. And…
In writing about Watch Dogs, Samantha Allan discusses white male characters as a default setting in games: “Games released at the start of a console cycle (like Bungie’s Halo: Combat Evolved for the original Xbox) tend to push the technical characteristics of gaming forward, while trotting out the same staid characters and story lines. Late in a console cycle, publishers will take ‘risks’ on…
At Salon, Matt Ashby and Brendan Carroll write about irony and cynicism, sincerity and honesty in art: “At one time, irony served to challenge the establishment; now it is the establishment. The art of irony has turned into ironic art. Irony for irony’s sake. A smart aleck making bomb noises in front of a city in ruins. But irony without a purpose enables cynicism. It stops at disavowal and…
This is my own composition notebook homework assignment in progress. Professor Chewbacca reflects on the crayon experience. I’ve inked it and now I’m coloring it in
I like to figure out problems in my composition notebook using drawing and slow writing and non-photo blue pencil to help me with certain problems that defy being approached head on. I’ve found there is something to moving ones hand in a certain way — like a coloring way— while filling in a space and half thinking and half not-thinking about this something you are trying to figure out that invites possible answers to present themselves..
Always, Lynda Barry.
Comics Editor Carol shares why the phrase “strong female character” bothers her a bit and then shares some of her favorite female characters.
A little while ago, a friend told me that I was a “strong woman.” It was a compliment and I took it as one. Part of me knows what he means, that I keep trying, that I pick myself up as best I can after things go to hell, that I try to keep moving. But part of me chafes at it, because I hear “strong female character” so much when people are talking about stories, whether comics, fiction, film, games or tv. And it’s starting to become a meaningless sound to me.
Guest Star Beth Watkins interviews Samit Basu about his new book, Turbulence: writing, superheroes, Not Explaining India and villain lairs:
Author Samit Basu’s first American release, Turbulence, is the story of a few regular people who arrive in Delhi on a flight from London…with superpowers. Talk about baggage. Not just the standard flying, invisible, very very fast kinds of superpowers, either: each one of them gets what they most want in life. Basu doesn’t bother with the unlucky folks who wound up with new iPhones or a Prada wardrobe and instead rollicks through the adventures of the more incredible ones: an aspiring actress effortlessly bewitches everyone, a stressed working mom can split herself into multiple bodies, and the protagonist, Aman Sen, once under-noticed, now controls all the networks in the world. It’s not the most traditional distribution of skills in a superhero team, but this is India in the 21st century. Chaos and clamor are the (dis)order of the day—villainous destruction and heroic derring-do hardly make a splash. Aman and his new team mean well, but how can they actually go about saving the world in an always-on, hyperlinked, complicated modern society?
After rave reviews for Turbulence in its Indian and UK releases—from names like Mike Carey and Wired, no less–I ordered a copy from India. And despite me knowing approximately half a percent as much about Indian literature or speculative fiction as I do about Indian cinema, Samit agreed to let me interview him about it anyway.
Originally from Calcutta, India, Samit is also the author of a bestselling fantasy trilogy, Gameworld (The Simoqin Prophecies, The Manticore’s Secret, and The Unwaba Revelations); a YA adventure, Terror on the Titanic; comics, including a zombie invasion of Delhi; films; and many other things, which you can explore on his website.
Manic Pixie Dream Girls, Writing and Doctor Who
“Writing about Doctor Whothis week got me thinking about sexism in storytelling, and how we rely on…