Posts tagged: video
Happy Birthday to Chow Yun-Fat! Sally Yeh sings.
The Hollywood Reporter interviews director Takashi Miike about his new film, Shield of Straw: ” In Japan now, films are very safe. When I was young and went to old cinemas, they had a distinctive feel, an adult smell about them. As you got in your seat…
Scientists hooked a squid up to an iPod. This is what happened.
A quick editorial cartoon about the intersection of self-pity, entitlement, rape, territoriality, misogyny and fear of women. You see it all over the place online in the form of Men’s Rights Activists (of whom there are a few reasonable non-misogynists), Men Going Their Own Way, Pick Up Artists, and dudes touting the “Red Pill”, because The Matrix is a good movie. Look any of these up if you have the stomach for it. These are extreme examples, but watered-down forms of these ideas are everywhere.
In lurking their blogs and youtube channels for a while, I’ve noticed that beyond the standard patriarchal chauvinism there is this deep fear of women - what they will do to me, how they will reject me, how they will use me, how they are changing society in a way that does not favor me, how they are making men into something I don’t like, how they are making themselves into something I don’t like, that they won’t give me what I want, and that they won’t give me what I think is rightfully mine. This goes beyond fear of feminism- this is fear of women at its purest. And that, to quote a puppet, leads to anger and hate. It’s sad.
I am a feminist. I think there’s enough ice cream to go around, but it does mean those of us with 3 scoops might have to give one or two up. Also, The Matrix is a fun movie but probably not anything you should be basing a philosophy on.
This week at The Gutter, Guest Star Todd Stadtman writes about The War Of The Gargantuas’ “lone pop musical interlude.”
It’s no coincidence, then, that Ishiro Honda’s War of the Gargantuas, a fixture of the UHF band during my youth, has proven to be a childhood entertainment that has in later years demonstrated a particularly adhesive quality. And that’s not true just for me. Gargantuas seems to have left its imprint on a lot of us, and its most universally relived moment, perhaps unsurprisingly, is its lone pop musical interlude. This, of course, takes place in a swanky roof top lounge, at which an assortment of nice Japanese ladies and gentlemen in their evening going-out clothes spectate a Caucasian lady singing a song in front of a live band.
Achewood test footage with voices and all!
Toby Huss (Artie!) as Ray, Onstad himself as Beef.
This is everything I want in life.
50 Years Of Bond - Salute & Goldfinger… by IdolxMuzic
How much more effectively does Shirley Bassey convey “the music of James Bond” than that crude montage of breasts and explosions? Sure, part of the allure of the James Bond films is tied to women and stuntwork, but that’s not…
Happy Year of the Snake from The Five Deadly Venoms and the Wu Tang Clan!
Merry Christmas to everyone celebrating!