Posts tagged: painting
Romance Editor Chris thinks about story and memory at the Gutter this week.
Recently I moderated a panel discussion on CanLit and the SF/F genre and it got me to thinking. Specifically, it got me thinking about memory. And that’s because if there’s one thing modern Canadian literature is full of, it’s memory. Years ago (a decade, mebbbe?) an industry journal published a chart detailing the subjects of that season’s big-bet books. It was a tongue-in-cheek piece, but it turned out that some ridiculously high percentage of the ‘must read’ novels were all about memory. Ha, it’s funny ’cause it’s true! Next to identity, memory is one of the themes that helps define a distinct Canadian Literature.
Here’s the thing, though: that’s not just true for CanLit. All stories are about memory.
Painting: “Memory or the Heart,” Frida Kahlo (1937)
Romance Editor Chris explores the charms of winter:
This week, I thought I saw the first snow of the season. Turns out it was actually sleet, which is kind of like snow’s annoying idiot cousin. But I got excited anyway, because the thing is…
I love winter.
Don’t get me wrong: that doesn’t mean I don’t love fall and spring too. Bright green things unfurling; leaves flaming against a crackling sky – both are wonderful. Spring and fall are energizing and beautiful. Summer… eh, not so much. The heat’s nice, but the humidity can go back to hell at its earliest convenience. I like to do things in the summer, but the season itself is on the bottom of my list.
Winter’s on the top.
If you enjoyed the illustrations in Comics Editor Carol’s article about men’s adventure magazines from the 1950s and 1960s, here are many more. Art by Norm Saunders and Wil Hulsey.
Comics Editor Carol writes about Superman, masculinity, and the American Way:
Since alex, Chris and I decided to write about masculinity this month, I’ve been thinking about Superman. Actually, I’ve been thinking and rethinking Superman almost as long as I’ve been writing for The Cultural Gutter. I began really thinking about him while watching Justice League and Justice League Unlimited. I’ve spent most of my life—and certainly my childhood and teen years—ambivalent about him. I grew up with the stodgy, daddish Superman of SuperFriends. Superman represented truth, justice and the American Way, a way that seemed all about straight white masculinity of the most rigid, hegemonic sort—a way that didn’t seem to include me. Whether as aspirational hero or adolescent power fantasy, it’s easy to see Superman as The Man.
art by Mike and Laura Allred, from The Superman/Madman Hullabaloo (Dark Horse/DC, 1998).
Portrait of the Dread Cthulhu painted by Edanna Politoske. Acrylic on canvas, fully sealed to prevent shoggoth escaping into our reality.
This portrait was commissioned for the Cultural Gutter’s indiegogo fundraiser, Gutter-A-Go-Go!
I really like how she played with Victorian portraiture conventions.