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Posts tagged: pages

colsmi:

Batman A-Go-Go, by Mike Allred, from 2000’s Comicology #2.

colsmi:

Batman A-Go-Go, by Mike Allred, from 2000’s Comicology #2.

At The Gutter: Fun! Charm! Thrilling Adventure!

Comics Editor Carol thinks about fun, charm and nostalgia while reading The Thrilling Adventure Hour graphic novel:

The Thrilling Adventure Hour is a beacon in a grittily realistic, grimdark pop culture landscape, one guiding lost souls to fun, charm and adventure. And I’m glad to see The Thrilling Adventure Hour adapted from podcast radio play into graphic novel because I like what it portends for fun stories in the future and because charm is something I can use more of in my entertainment and my life.

New Original Killing Joke Artwork Revealed; Even More Torture Porny than We Thought

dcwomenkickingass:

I don’t think its any surprised that I’m not a fan of The Killing Joke. I consider it to be at best a mediocre Batman story and one of the lowest moments in DC history in their treatment of female characters.

We all know what happens to Barbara Gordon in the book. We all have heard the tales of Alan Moore calling Len Wein for permission to shoot Barbara Gordon in the book and the response he received:

"I asked DC if they had any problem with me crippling Barbara Gordon - who was Batgirl at the time - and if I remember, I spoke to Len Wein, who was our editor on the project…[He] said, ‘Yeah, okay, cripple the bitch.’

For years there have been discussions about how Barbara Gordon was treated in the book - shot, stripped and photographed naked. I, like many others, have bluntly called it torture porn.

But of course others differ. I’ve been told that there is no rape so there is no mysogyny. That “Jim Gordon is also naked, so it there is no sexism.” That it isn’t about Barbara being a woman but about her being collateral damage.

Sure. Sure it is.

Today some original art from The Killing Joke showed up. And it shows that page. You know page with the photos that Jim Gordon is shown of his daughter.

And the page is a bit different. Brian Bolland has already saidI drew what was in the script. That’s my job. I was asked to tone it down a bit.”

So he drew what Moore had in his original script. 

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And the art work? (NSFW and graphic for nudity and violence)

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colsmi:

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“Monsters cannot be announced. One cannot say: ‘Here are our monsters,’ without immediately turning the monsters into pets.”

Jacques Derrida

(Panel by Alex Segura, Dan Parent, Rich Koslowski et al, from 2012’s Archie Meets Kiss #2.)

At The Gutter: The March: On Chickens, Humanity And Moral Authority

This week, Comics Editor Carol thinks about Rep. John Lewis’ The March:

Other more serious writers have written about Rep. John Lewis, Andrew Aydin and Nate Powell‘s The March, Vol 1. (Top Shelf, 2013) . They’ve written about the audacious presentation of solemn historical material in a graphic novel; John Lewis’ contribution to perfecting the Union;  The March‘s importance in relation to American History and the fiftieth anniversary of the March on Washington; and even how Lewis was inspired by a ten cent comic about the Rev. Dr. Martin Luther King.

What I keep returning to is young John Lewis’ fondness for chickens.

Cover and first page from Evan Munday’s fun and hilarious The Dead Kid Detective Agency: Au Revoir, Mr. O’Shea.

Thirteen-year-old October Schwartz is new in town, short on friends, and the child of a clinically depressed science teacher. Naturally, she spends most of her time in the Sticksville Cemetery, which just happens to border her backyard. And that backyard just happens to be the home of five dead teenagers, each from a different era of the past: there’s the dead United Empire Loyalist! The dead escaped slave who made her way north via the Underground Railroad! The dead quintuplet!

Soon, October befriends the five dead kids. Together — using October’s smarts and the dead kids’ abilities to walk through walls and get around undetected and stuff — they form The Dead Kid Detective Agency, committed to solving Sticksville’s most mysterious mysteries. October’s like Nancy Drew, if she’d hung out with corpses.

Evan has kindly donated 5 signed copies to our indiegogo campaign, Gutter-A-Go-Go Raids Again!  Please consider donating and you can immerse yourself in the mysteries of Sticksville, Ontario while supporting thoughtful writing about disreputable art.

ECW Press has a longer excerpt here.

Check out our campaign here.

notpulpcovers:

Interior artwork by Hans Wessolowski illustrates scene from story “Ra for the Rajah” Astounding Science-Fiction (May 1938)

At The Gutter: Summer Fun Time Reading ‘13

Comics Editor Carol gets into the summer time list fun:

It’s hot and the air already feels like unset Jell-O, but you still have some time to prepare for summer, because all the list-happy magazines and websites tell me, summer must be prepared for. Dig out your seersucker suit! Bob your hair! Find that most fashionable bathing suit–might I suggest a kicky Twenties number?

You’ll be the cutest kid on the beach, at the club or hiding in your room protecting yourself from the evil of the sun and other people with these seven books.

(Marvel Swimsuit Special page via The Hooded Utilitarian)

At The Gutter: Ray Harryhausen and Me: A Life of High Adventure and Escapism

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Guest Star Miguel Rodriguez shares his love of Clash of the Titans and Ray Harryhausen:

When I was too young to really remember, I was taken to this film in the theater. Because I have no real memory of that experience, I am amazed by my true first memory of Clash of the Titans (1981). It all happened because of a wonderful non-profit program called Reading is Fundamental, or Reading is Fun as we called it when I was in elementary school. Many of you know about this: kids are given a colorful little RIF catalog on toilet-paper-thin newsprint paper with a wealth of covers and titles to choose from. Their parents help to make an order, and then, weeks later, the classroom desk is stacked high with the books that kids have ordered. It was like Christmas. And one of the books I had chosen was an oversized hardcover children’s book version of Ray Harryhausen’s Clash of the Titans movie.

You can find Miguel at Monster Island Resort Podcast and Horrible Imaginings Film Festival.

(Photography taken by Miguel Rodriguez)

deadcades:

Metropolis Theatre Programme (1927)