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Posts tagged: movies

Free Oline Korean Film

Free Oline Korean Film

The Korean Film Archive has been uploading classics of Korean cinema to their YouTube channel, Korean Classic Film Theater. Modern Korean Cinema reports on the latest 15 films uploaded.

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"The Five Best North Korean Films"

“The Five Best North Korean Films”

Simon Fowler shares “The Five Best North Korean Films” at The Guardian. Did Pulgasari make the cut? Is the list Pulgasari five times? Click through to find out. (Thanks, Earl!)

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RIP, Robin Williams

Actor and comedian Robin Williams has died. There are many obituaries and remembrances out there, so we’re just choosing a few.  The AV Club, RogerEbert.com and Boing Boing have obituaries. The writers of RogerEbert.com offer tributes. Terry Gilliam talks about directing Williams in The Fisher King. Penny Marshall talks about working with Williams on Laverne & Shirley and directing him in Awakeni…

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xombiedirge:

William Lustig Retrospective Print by Ghoulish Gary Pullin / Tumblr 
18” X 24” Limited edition screen print, S/N edition of 120. Available over both days of the tribute to William Lustig retrospective, opening August 15th, 2014, at the YBCA.

xombiedirge:

William Lustig Retrospective Print by Ghoulish Gary Pullin / Tumblr 

18” X 24” Limited edition screen print, S/N edition of 120. Available over both days of the tribute to William Lustig retrospective, opening August 15th, 2014, at the YBCA.

RIP, Marilyn Burns

Actor Marilyn Burns has died. Burns is probably most famous for her work in The Texas Chainsaw Massacre (1974), but she also appeared in Brewster McCloud (1970), Helter Skelter (1976), Future-Kill (1985), and most recently in Shawn Ewert’s Sacrament (2014). The Los Angeles Times, The Wrap and The AV Club have obituaries. Marilyn Burns and Gunnar Hansen discuss The Texas Chainsaw Massacre here.

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"An End To ‘Snobbery’"

“An End To ‘Snobbery’”

At Writer For Hire, Danny Bowes argues for “An End To ‘Snobbery’”: “The advent of a new Marvel (in this instance standing in for ‘geek’ in the same way ‘Xerox’ does for ‘photocopy’) movie, joyous occasion though it is for many, is a time when the discourse among film critics, journalists, and fans crystallizes into a particularly nasty and distorted battlefield. While it’s actually not often—in…

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The Cruelty of Idiocracy

At Paleofuture, Matt Novak writes about Idiocracy‘s unpleasant implications: “Sure. As an over-the-top comedic dystopia, the movie is actually enjoyable. But the movie’s introduction makes it an unnerving reference to toss around as our go-to insult….Unlike other films that satirize the media and the soul-crushing consequences of sensationalized entertainment (my personal favorite being 1951’s Ac…

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"The Journey Goes All The Way To The End"

“The Journey Goes All The Way To The End”

At Never Get Off The Bus, Debbie Moon writes about Captain America: First Avenger. “When adapting existing material, it’s easy to assume that in order to reach point F, you simply have to work through points A – E. To set up Steve Rogers in the modern world, simply romp briskly through everything that happened before he got there. But your character may not be undergoing a single united emotional…

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At The Gutter: Stale Candy, Punk Rock, Failure, Assimilation and Punisher: War Zone

This week, Carol watches Punisher: War Zone and thinks about what it means to be “good,” what it means to fail, and what it means when your community succeeds.

I’m not arguing for a kind of absolute relativism here, in which if I like or enjoyed Punisher: War Zone it’s good. I’m not arguing that for a lot of reasons, the most important being that the converse is sketchy as hell: dislike = bad. That’s a corrosive line of thinking. At the most basic level, I know that “dislike” “bad” because there is art I dislike even while knowing it’s good. But I can appreciate and even learn from it. The greater geek/nerd/fan community tends to smooth over differences by saying that we respect each other’s likes, that if you like something there must be something good about it, while at the same time organizing around liking the same things, creating canons and having a lot of received wisdom about what is good or bad–like my repairmans’s assertion, “Wonder Woman is a bad character.”
But people can like the same thing, superheroes in general or the Punisher in particular, for instance, without liking it the same way, in the same form or the same thing about it. A huge chunk of the whole fake geek girl thing is as much about “You’re liking it wrong” or “You like the wrong thing about it” as it is just plain sexism**. And when your tacit understanding about what makes something good or bad generally comes down to labeling things good and bad, it’s hard to notice when you are tacitly arguing against diversity–like my repairman, who has felt so deprived for so long that he doesn’t recognize he’s not losing something by not getting everything. There can be grim and dark movies like Nolan’s Batman, shiny colorful movies like The Avengers and crazy-ass odes to campy, comic book violence like Punisher: War Zone–even scruffy action like Machete Kills, The Raid and the Fast & Furious movies.
Stale Candy, Punk Rock, Failure, Assimilation and Punisher: War Zone

Stale Candy, Punk Rock, Failure, Assimilation and Punisher: War Zone

Screen Shot 2014-07-17 at 5.51.38 PMLast summer, the repairman who came to patch my kitchen ceiling, discovered I read comics and then kept asking me about different blockbuster superhero movies and shows. And I’d keep saying I wasn’t very interested. He stood on the ladder, shaking his head in a reverie, saying the superhero movies were like candy to him and “I can’t get enough.” Then je explained that Superman was boring and…

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