Posts tagged: monsters
At her blog, photographer Lisa Stock talks about her latest image, “Glass Cages,” which puts the artist in a scene from King Kong (1933). See more of her work at InByTheEye. “Are you the beast, the beauty or the bird? What cage are you in? It’s an endless Escher-like loop, but one worth the question.”
Friend of the Gutter, Samit Basu shares “7 Strange ‘Indian’ Creatures” at Huffington Post. “I’ve never written an “about India” book — the closest I’ve come is setting large parts of a superhero novel, Turbulence, in India — but I did notice several British and American reviewers mentioning that reading it made them realize that people in India weren’t too different from them. Which always makes…
“For the ordinary dude to be triumphant, the Strong Female Character has to entirely disappear into Subservient Trophy Character mode. This is Trinity Syndrome à la The Matrix: the hugely capable woman who never once becomes as independent, significant, and exciting as she is in her introductory scene.” Tasha Robinson writes more about this in How To Train Your Dragon 2, The Lego Movie, The…
Comics Editor Carol writes about a Sea Mutant torn between a taste for teens and a love of Shakespeare:
As Romance Editor Chris Szego has often noted here at The Gutter, the theme of modern romance is that the hero can change. But what about sea mutants—can they change? In Jonathan Cases’s Dear Creature (Tor, 2011) a sea mutant falls in love with a human woman. It’s a beautifully-drawn and beautifully-written Shakespearean comedy with a monster or a Sixties monster beach movie in iambic pentameter with a sea mutant named Grue, a woman named Giulietta and a chorus of crabs urging Grue to consume people.
(Jonathan Case also provided the art for The Green River Killer and is currently drawing, Batman ‘66).
Kraken Venn Diagram - Imgur
Guest Star Miguel Rodriguez shares his love of Clash of the Titans and Ray Harryhausen:
When I was too young to really remember, I was taken to this film in the theater. Because I have no real memory of that experience, I am amazed by my true first memory of Clash of the Titans (1981). It all happened because of a wonderful non-profit program called Reading is Fundamental, or Reading is Fun as we called it when I was in elementary school. Many of you know about this: kids are given a colorful little RIF catalog on toilet-paper-thin newsprint paper with a wealth of covers and titles to choose from. Their parents help to make an order, and then, weeks later, the classroom desk is stacked high with the books that kids have ordered. It was like Christmas. And one of the books I had chosen was an oversized hardcover children’s book version of Ray Harryhausen’s Clash of the Titans movie.
(Photography taken by Miguel Rodriguez)
This week at The Gutter, Guest Star Todd Stadtman writes about The War Of The Gargantuas' “lone pop musical interlude.”
It’s no coincidence, then, that Ishiro Honda’s War of the Gargantuas, a fixture of the UHF band during my youth, has proven to be a childhood entertainment that has in later years demonstrated a particularly adhesive quality. And that’s not true just for me. Gargantuas seems to have left its imprint on a lot of us, and its most universally relived moment, perhaps unsurprisingly, is its lone pop musical interlude. This, of course, takes place in a swanky roof top lounge, at which an assortment of nice Japanese ladies and gentlemen in their evening going-out clothes spectate a Caucasian lady singing a song in front of a live band.