At Never Get Off The Bus, Debbie Moon writes about Captain America: First Avenger. “When adapting existing material, it’s easy to assume that in order to reach point F, you simply have to work through points A – E. To set up Steve Rogers in the modern world, simply romp briskly through everything that happened before he got there. But your character may not be undergoing a single united emotional…
Stories are important, we all know this. I hasten to add: and they should be fun too, otherwise why bother reading them? Every once in a while, I run across a new author that balances “something to say” and “have fun saying it” in a way that really appeals to me. This year, that author has been Carrie Vaughn.
At Sequart, friend of the Gutter Colin Smith is taking an exhaustive look at the American superhero comics of Mark Millar–and by exhaustive, we mean, “28 Part.”
I’m not arguing for a kind of absolute relativism here, in which if I like or enjoyed Punisher: War Zone it’s good. I’m not arguing that for a lot of reasons, the most important being that the converse is sketchy as hell: dislike = bad. That’s a corrosive line of thinking. At the most basic level, I know that “dislike” ≠ “bad” because there is art I dislike even while knowing it’s good. But I can appreciate and even learn from it. The greater geek/nerd/fan community tends to smooth over differences by saying that we respect each other’s likes, that if you like something there must be something good about it, while at the same time organizing around liking the same things, creating canons and having a lot of received wisdom about what is good or bad–like my repairmans’s assertion, “Wonder Woman is a bad character.”
But people can like the same thing, superheroes in general or the Punisher in particular, for instance, without liking it the same way, in the same form or the same thing about it. A huge chunk of the whole fake geek girl thing is as much about “You’re liking it wrong” or “You like the wrong thing about it” as it is just plain sexism**. And when your tacit understanding about what makes something good or bad generally comes down to labeling things good and bad, it’s hard to notice when you are tacitly arguing against diversity–like my repairman, who has felt so deprived for so long that he doesn’t recognize he’s not losing something by not getting everything. There can be grim and dark movies like Nolan’s Batman, shiny colorful movies like The Avengers and crazy-ass odes to campy, comic book violence like Punisher: War Zone–even scruffy action like Machete Kills, The Raid and the Fast & Furious movies.
Friend of the Gutter, Will McKinley writes about his past as a soap opera fan and the return of a classic soap opera, The Doctors, and its significance for the genre.
Action choreographer, director and stunt performer Panna Rittikrai has died. Films Panna worked on, whether as a choreographer, director, producer and/or actor include: Born To Fight / Gerd Ma Lui (1986 and 2004), Tom Yum Goong (2005), Chocolate (2008), Spirited Killer (1994), Power Kids (2009), Dynamite Warrior/Khon Fai Bin (2006), Bangkok Knockout (2010) and all three Ong-Bak films (2003, 2008
Actor and singer Elaine Stritch has died. Stritch worked extensively on Broadway, but she also appeared in September (1987), Small Time Crooks (2000), Monster-In-Law (2005), the British television series, Two’s Company, 3rd Rock From The Sun, My Sister Eileen and 30 Rock. The New York Times, Variety and The Detroit Free Press. Saara Dutton remembers Stritch in her piece, “In Praise of Broads.”H…
"There is nothing ugly; I never saw an ugly thing in my life; for let the form of an object be what it may, light, shade and perspective will always make it beautiful."
(Panels from The New Gods #9, by Jack Kirby & Mike Royer, DC, 1972)
Actor and producer James Garner has died. Garner is probably most famous for his role as Jim Rockford in the tv series, The Rockford Files, but he also starred in Maverick (the tv series and the 1994 film), Support Your Local Sheriff (1969), Marlowe (1969), The Great Escape (1963), Victor/Victoria (1982), Move Over, Darling (1963), My Fellow Americans (1996), Space Cowboys (2000), God, The…
The Comics Journal takes an in-depth look a Tony Wong Yuk-Long, Ma Wing-Shing and the massive Hong Kong comics publisher, Jademan Holdings Ltd., and Jademan in North America: “He is a showman, this Tony Wong–a real Stan Lee, though I would argue that he is more interesting than the American model.” (via Kaiju Shakedown).